A Question of Balance: Charles Seeger's Philosophy of Music
University of California Press, 22 dic 1998 - 278 pagine
One of this century's most influential musical intellects takes center stage in Taylor Greer's meticulously wrought study of Charles Seeger (1886-1979). Seeger left an indelible mark in the fields of musicology, music criticism, ethnomusicology, and avant-garde musical composition, but until now there has been no extended appreciation and critique of Seeger's work as a whole, nor has an accessible guide to his texts been available.
Exploring the entire corpus of Charles Seeger's writing, A Question of Balance highlights the work of those persons who most influenced him, especially Henri Bergson, Bertrand Russell, and Ralph Perry. Invited to inaugurate the music department at the University of California's Berkeley campus in 1912, Seeger became keenly aware of his deficiencies in general education and put himself on a rigorous regimen of intellectual development that included studying history, anthropology, political theory, and philosophy. For the remainder of his life his ideas about music heavily influenced the development of ethnomusicology and systematic musicology.
Charles Seeger is perhaps best known as the father of the folk singers Pete, Mike, and Peggy Seeger and as the husband of the innovative American composer Ruth Crawford. This book makes clear that Seeger was an extremely important thinker and educator in his own right. Seeger's intellectual curiosity was as eclectic as it was enthusiastic, and Greer skillfully weaves together the connections Seeger made between music, the humanities, and the sciences. The result is a luminous tapestry depicting Seeger's ideal schemes of musicology. At the same time it reflects the turbulence and vitality in American musical life during the early decades of the century.
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Russells Synthesis of Mysticism and Logic
Perrys Philosophy of Value
Seegers Theory of Music Criticism
A Philosophy in Practice Music Criticism
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Adler aesthetic approach Arnold Schoenberg artistic balance basic Bergson Berkeley Bertrand Russell Carl Ruggles century chapter Charles Louis Seeger Charles Seeger Combarieu composers compositional theory concept consonance consonance and dissonance counterpoint creative critique d'Indy diagram dichotomy discipline dissonance Dissonant Counterpoint dualism early essay example functions Guido Adler harmonic Henri Bergson Henry Cowell Hindemith human Ibid ideal ideas initial intervals intuition judgment language later means mediation method musi music criticism musical experience musical knowledge musicians Mysticism and Logic neume never nineteenth nineteenth-century opposition Perry Perry's Pescatello philosophical theory phrase-neume pitch practice principles Quartet question Ralph Barton Perry rhythm rhythmic Russell's Ruth Crawford Seeger Schoenberg scientific Seeger's theory sophical sources speculation Studies in Musicology style synthesis Systematic Musicology technique theoretical theorists theory of form theory of music thought tion tonal Tradition and Experiment treatise University of California whole writings
Pagina iii - The most beautiful emotion we can experience is the mystical. It is the sower of all true art and science. .. . To know that what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty which our dull faculties can