A modern book of esthetics: an anthology |
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Esthetics, by C. K. Ogden, I. A. Richards, and James Wood; to Alfred A. Knopf, Inc
., for selections from Oswald Spengler's The Decline of the West; to Harcourt,
Brace and Company, for material from Lewis Mumford's Technics and Civilization
; ...
Esthetics, by C. K. Ogden, I. A. Richards, and James Wood; to Alfred A. Knopf, Inc
., for selections from Oswald Spengler's The Decline of the West; to Harcourt,
Brace and Company, for material from Lewis Mumford's Technics and Civilization
; ...
Pagina 357
ETHEL D. PUFFER: The Esthetic Repose. From Psychology of Beauty. 3. C. K.
OGDEN, I. A. RICHARDS, and JAMES WOOD: Synaes- thesis. From The
Foundations of /Esthetics. CHAPTER X INTRODUCTORY NOTE The theories of
empathy ...
ETHEL D. PUFFER: The Esthetic Repose. From Psychology of Beauty. 3. C. K.
OGDEN, I. A. RICHARDS, and JAMES WOOD: Synaes- thesis. From The
Foundations of /Esthetics. CHAPTER X INTRODUCTORY NOTE The theories of
empathy ...
Pagina 361
2 Ethel Puffer's theory closely resembles that of three English thinkers, C. K.
Ogden ( i 889- ) , I. A. Richards (1893- ), and James Wood (1899- ). They also
believe that the esthetic enjoyment is a "state of equilibrium" in which the whole
self is ...
2 Ethel Puffer's theory closely resembles that of three English thinkers, C. K.
Ogden ( i 889- ) , I. A. Richards (1893- ), and James Wood (1899- ). They also
believe that the esthetic enjoyment is a "state of equilibrium" in which the whole
self is ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words