A Modern Book of Esthetics: An Anthology |
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Risultati 1-3 di 18
Pagina 35
Only later follows the period of unbelief , of knowledge , of criticism . The
perfection of artistic illusion represents a transitory stage between belief or
superstition , on the one hand , and unbelief or knowledge , research , and
criticism , on the ...
Only later follows the period of unbelief , of knowledge , of criticism . The
perfection of artistic illusion represents a transitory stage between belief or
superstition , on the one hand , and unbelief or knowledge , research , and
criticism , on the ...
Pagina 248
unite to produce significant form , is the function of criticism . But it is useless for a
critic to tell me that something is a work of art ; he must make me feel it for myself .
This he can do only by making me see ; he must get at my emotions through ...
unite to produce significant form , is the function of criticism . But it is useless for a
critic to tell me that something is a work of art ; he must make me feel it for myself .
This he can do only by making me see ; he must get at my emotions through ...
Pagina 490
Puffer : “ Criticism and Æsthetics ” in Atlantic Monthly , XXVIII ( 1901 ) , pp . 839 -
847 : Studies in Symmetry . Cambridge : Harvard Psychological Studies , Vol . I (
1903 ) , pp . 467 - 539 . The Psychology of Beauty . Boston and New York , 1905
...
Puffer : “ Criticism and Æsthetics ” in Atlantic Monthly , XXVIII ( 1901 ) , pp . 839 -
847 : Studies in Symmetry . Cambridge : Harvard Psychological Studies , Vol . I (
1903 ) , pp . 467 - 539 . The Psychology of Beauty . Boston and New York , 1905
...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole