A modern book of esthetics: an anthology |
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Pagina xxiii
Whether we follow Croce or Tolstoy, the effect of modern thought is to free the
artist from the restrictions imposed by the traditional theory of beauty. In fact,
Croce's theory would not be seriously transformed if every mention of beauty in
his ...
Whether we follow Croce or Tolstoy, the effect of modern thought is to free the
artist from the restrictions imposed by the traditional theory of beauty. In fact,
Croce's theory would not be seriously transformed if every mention of beauty in
his ...
Pagina 158
In the art of comedy the intellect predominates, for reasons which Bergson relates
in the present selection and elsewhere in his book Laughter. In contrast to
Bergson and Croce, with their tendency to isolate intuition, Bernard Bosanquet (
1848- ...
In the art of comedy the intellect predominates, for reasons which Bergson relates
in the present selection and elsewhere in his book Laughter. In contrast to
Bergson and Croce, with their tendency to isolate intuition, Bernard Bosanquet (
1848- ...
Pagina 483
Carr, Herbert Wildon: "Mr. Bosanquet on Croce's iEsthetic" in Mind, XXIX (1920),
pp. 207-211. Carritt, E. F.: What is Beauty? Oxford, 1932. Especially Chapter VI.
The Theory of Beauty. Op. cit. Chapter VIII. Cock, Albert A.: "The /Esthetic of ...
Carr, Herbert Wildon: "Mr. Bosanquet on Croce's iEsthetic" in Mind, XXIX (1920),
pp. 207-211. Carritt, E. F.: What is Beauty? Oxford, 1932. Especially Chapter VI.
The Theory of Beauty. Op. cit. Chapter VIII. Cock, Albert A.: "The /Esthetic of ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words