A Modern Book of Esthetics: An Anthology |
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Pagina 315
EDWARD BULLOUGH " PSYCHICAL DISTANCE " AS A FACTOR IN ART AND AN ESTHETIC PRINCIPLE I. 1. Meaning of the term " Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
EDWARD BULLOUGH " PSYCHICAL DISTANCE " AS A FACTOR IN ART AND AN ESTHETIC PRINCIPLE I. 1. Meaning of the term " Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
Pagina 323
What is therefore , both in appreciation and production , most desirable is the utmost decrease of Distance without its disappearance . 3. Closely related , in fact a presupposition to the " antinomy , " is the variability of Distance .
What is therefore , both in appreciation and production , most desirable is the utmost decrease of Distance without its disappearance . 3. Closely related , in fact a presupposition to the " antinomy , " is the variability of Distance .
Pagina 324
affecting the degree of Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive explanations for varieties of esthetic experience , since loss ...
affecting the degree of Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive explanations for varieties of esthetic experience , since loss ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole