A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 315
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological formulation ...
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological formulation ...
Pagina 323
... Distance . Herein especially lies the advantage of Distance compared with such terms as " objectivity " and " detachment . " Neither of them im- plies a personal relation - indeed both actually preclude it ; and the mere ...
... Distance . Herein especially lies the advantage of Distance compared with such terms as " objectivity " and " detachment . " Neither of them im- plies a personal relation - indeed both actually preclude it ; and the mere ...
Pagina 324
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of ...
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words