A Modern Book of Esthetics: An Anthology |
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Pagina 315
EDWARD BULLOUGH " PSYCHICAL DISTANCE " AS A FACTOR IN ART AND
AN ESTHETIC PRINCIPLE I . 1 . Meaning of the term “ Distance . ” 2 . Distance as
a factor in Art . 3 . Distance as an esthetic principle . 1 . Distance describes a ...
EDWARD BULLOUGH " PSYCHICAL DISTANCE " AS A FACTOR IN ART AND
AN ESTHETIC PRINCIPLE I . 1 . Meaning of the term “ Distance . ” 2 . Distance as
a factor in Art . 3 . Distance as an esthetic principle . 1 . Distance describes a ...
Pagina 323
What is therefore , both in appreciation and production , most desirable is the
utmost decrease of Distance without its disappearance . 3 . Closely related , in
fact a presupposition to the “ antinomy , " is the variability of Distance . Herein ...
What is therefore , both in appreciation and production , most desirable is the
utmost decrease of Distance without its disappearance . 3 . Closely related , in
fact a presupposition to the “ antinomy , " is the variability of Distance . Herein ...
Pagina 324
affecting the degree of Distance in any given case : those offered by the object
and those realized by the subject . In their interplay they afford one of the most
extensive explanations for varieties of esthetic experience , since loss of Distance
...
affecting the degree of Distance in any given case : those offered by the object
and those realized by the subject . In their interplay they afford one of the most
extensive explanations for varieties of esthetic experience , since loss of Distance
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole