A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 294
... empathy . It constitutes the very meaning of this concept . Empathy is the fact here established , that the object is myself and by the very same token this self of mine is the object . Em- pathy is the fact that the antithesis between ...
... empathy . It constitutes the very meaning of this concept . Empathy is the fact here established , that the object is myself and by the very same token this self of mine is the object . Em- pathy is the fact that the antithesis between ...
Pagina 307
... Empathy , as we have just seen it exemplified in the moun- tain which rises . If this is Empathy , says the Reader ( relieved and re- assured ) , am I to understand that Empathy is nothing be- yond attributing what goes on in us when we ...
... Empathy , as we have just seen it exemplified in the moun- tain which rises . If this is Empathy , says the Reader ( relieved and re- assured ) , am I to understand that Empathy is nothing be- yond attributing what goes on in us when we ...
Pagina 310
... Empathy exists or tends to exist throughout our mental life . It is , indeed , one of our sim- pler , though far from absolutely elementary , psychological processes , entering into what is called imagination , sym- pathy , and also ...
... Empathy exists or tends to exist throughout our mental life . It is , indeed , one of our sim- pler , though far from absolutely elementary , psychological processes , entering into what is called imagination , sym- pathy , and also ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words