A modern book of esthetics: an anthology |
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Pagina 59
This antagonism of the Dionysian and of the Apollonian in the Greek soul, is one
of the great riddles which made me feel drawn to the essence of Hellenism. At
bottom, I troubled about nothing save the solution of the question, why precisely ...
This antagonism of the Dionysian and of the Apollonian in the Greek soul, is one
of the great riddles which made me feel drawn to the essence of Hellenism. At
bottom, I troubled about nothing save the solution of the question, why precisely ...
Pagina 333
Even Greek dramatic practice appears to have aimed, for similar purposes and in
marked contrast to our stage-habits, at an increase rather than at a decrease of
Distance. Otherwise Greek Art, even of a religious type, is remarkable for its low ...
Even Greek dramatic practice appears to have aimed, for similar purposes and in
marked contrast to our stage-habits, at an increase rather than at a decrease of
Distance. Otherwise Greek Art, even of a religious type, is remarkable for its low ...
Pagina 447
JOHN DEWEY Experience, Nature and Art Experience, with the Greeks, signified
a store of practical wisdom, a fund of insights useful in conducting the affairs of
life. Sensation and perception were its occasion and supplied it with pertinent ...
JOHN DEWEY Experience, Nature and Art Experience, with the Greeks, signified
a store of practical wisdom, a fund of insights useful in conducting the affairs of
life. Sensation and perception were its occasion and supplied it with pertinent ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words