A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina v
... I. A. Richards , and James Wood ; to Alfred A. Knopf , Inc. , for selections from Oswald Spengler's The Decline of the West ; to Harcourt , Brace and Company , for material from Lewis Mumford's Technics and Civilization ; to Longmans ...
... I. A. Richards , and James Wood ; to Alfred A. Knopf , Inc. , for selections from Oswald Spengler's The Decline of the West ; to Harcourt , Brace and Company , for material from Lewis Mumford's Technics and Civilization ; to Longmans ...
Pagina 361
... I. A. RICHARDS ( 1893- ) , and JAMES WOOD ( 1899- ) . They also believe that the esthetic enjoyment is a " state of equili- brium " in which the whole self is brought into vigorous and harmonious activity , a condition which they term ...
... I. A. RICHARDS ( 1893- ) , and JAMES WOOD ( 1899- ) . They also believe that the esthetic enjoyment is a " state of equili- brium " in which the whole self is brought into vigorous and harmonious activity , a condition which they term ...
Pagina 490
... I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : “ The Esthetic Values . " Boston and New York , 1909. " The Problem of Beauty ” in ...
... I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : “ The Esthetic Values . " Boston and New York , 1909. " The Problem of Beauty ” in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words