A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina xii
... Oswald Spengler calls it , the creation of a spiritual space , " wide and eternal , " which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of ...
... Oswald Spengler calls it , the creation of a spiritual space , " wide and eternal , " which responds to the imperious need of Western man for a symbol of distance and the infinite . When with Bou- gureau space becomes only a trick of ...
Pagina 387
... OSWALD SPENGLER ( 1880-1936 ) is that art is part of the complex of the entire culture , and foredoomed in our own time to decay because of the senility of Western Culture . As Walter Pater once said : " In every age there is a peculiar ...
... OSWALD SPENGLER ( 1880-1936 ) is that art is part of the complex of the entire culture , and foredoomed in our own time to decay because of the senility of Western Culture . As Walter Pater once said : " In every age there is a peculiar ...
Pagina 491
... Oswald Spengler and Lewis Mumford Spengler , O .: The Decline of the West . Two Volumes . ( Translated by Charles Francis Atkinson . ) New York , 1928 . Mumford , L .: " Machinery and the Modern Style " in New Republic , XXVII ( Aug. 3 ...
... Oswald Spengler and Lewis Mumford Spengler , O .: The Decline of the West . Two Volumes . ( Translated by Charles Francis Atkinson . ) New York , 1928 . Mumford , L .: " Machinery and the Modern Style " in New Republic , XXVII ( Aug. 3 ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words