A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina ix
An Anthology Melvin Miller Rader. IX . THEORIES OF PSYCHOLOGICAL DETACH- MENT 1. EDWARD BULLOUGH : PSYCHICAL ... Psychology of Beauty . 3. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD : SYNAESTHESIS . From The Foundations of ...
An Anthology Melvin Miller Rader. IX . THEORIES OF PSYCHOLOGICAL DETACH- MENT 1. EDWARD BULLOUGH : PSYCHICAL ... Psychology of Beauty . 3. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD : SYNAESTHESIS . From The Foundations of ...
Pagina 360
... beautiful object as possessing those qualities which bring the personality into a ... psychology , and as such offered no problems in any way unique , or ... Beauty , p . 49 . 19 2 its own way , leads us on an 360 ISOLATION AND ...
... beautiful object as possessing those qualities which bring the personality into a ... psychology , and as such offered no problems in any way unique , or ... Beauty , p . 49 . 19 2 its own way , leads us on an 360 ISOLATION AND ...
Pagina 490
... Psychology of Beauty . Boston and New York , 1905 . " Esthetics " in Psychological Bulletin , X ( 1913 ) , pp . 196-201 . " The Foundations of Esthetics " in Proceedings of the Sixth International Congress of Philosophy . Op . cit . Pp ...
... Psychology of Beauty . Boston and New York , 1905 . " Esthetics " in Psychological Bulletin , X ( 1913 ) , pp . 196-201 . " The Foundations of Esthetics " in Proceedings of the Sixth International Congress of Philosophy . Op . cit . Pp ...
Sommario
Ludovici | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words