A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina iv
... Ramon Fernandez ; to the Yale University Press , for a selection from DeWitt H. Parker's The Analysis of Art ; to Frederick A. Stokes Company , for material from Clive Bell's Art ; to the Hogarth Press , for material from Roger Fry's ...
... Ramon Fernandez ; to the Yale University Press , for a selection from DeWitt H. Parker's The Analysis of Art ; to Frederick A. Stokes Company , for material from Clive Bell's Art ; to the Hogarth Press , for material from Roger Fry's ...
Pagina viii
... RAMON FERNANDEZ : ON CLASSICISM . From The Symposium , January 1930 ( Translated by A. Hyatt Mayor ) . VII . THEORIES OF FORM · 1. DEWITT H. PARKER : THE PROBLEM OF ESTHETIC FORM . From The Analysis of Art . 2. CLIVE BELL : SIGNIFICANT ...
... RAMON FERNANDEZ : ON CLASSICISM . From The Symposium , January 1930 ( Translated by A. Hyatt Mayor ) . VII . THEORIES OF FORM · 1. DEWITT H. PARKER : THE PROBLEM OF ESTHETIC FORM . From The Analysis of Art . 2. CLIVE BELL : SIGNIFICANT ...
Pagina 484
... Ramon Fernandez Maritain : Art and Scholasticism . ( Translated by J. F. Scan- lan . ) New York and London , 1930. Introduction to Phi- losophy . ( Translated by E. I. Watkin . ) New York , 1930 . ( Includes a discussion of esthetics ...
... Ramon Fernandez Maritain : Art and Scholasticism . ( Translated by J. F. Scan- lan . ) New York and London , 1930. Introduction to Phi- losophy . ( Translated by E. I. Watkin . ) New York , 1930 . ( Includes a discussion of esthetics ...
Sommario
Ludovici | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words