A Modern Book of Esthetics: An Anthology |
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Pagina 229
Form thus conceived is not limited to mere design or pattern , such as the abstract relation of colors or sounds apart from their suggestiveness or dramatic import . On the contrary , it is the organization of all the elements - pure ...
Form thus conceived is not limited to mere design or pattern , such as the abstract relation of colors or sounds apart from their suggestiveness or dramatic import . On the contrary , it is the organization of all the elements - pure ...
Pagina 252
Let no one imagine that representation is bad in itself ; a realistic form may be as significant , in its place as part of the design , as an abstract . But if a representative form has value , it is as form , not as representation .
Let no one imagine that representation is bad in itself ; a realistic form may be as significant , in its place as part of the design , as an abstract . But if a representative form has value , it is as form , not as representation .
Pagina 275
... form , because they are an abstract schema into which representational matter may be fitted , as the kneeling man is fitted into the abstract pattern of lines . What is the emotional value of this abstract pattern ?
... form , because they are an abstract schema into which representational matter may be fitted , as the kneeling man is fitted into the abstract pattern of lines . What is the emotional value of this abstract pattern ?
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole