A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 229
... abstract relation of colors or sounds apart from their suggestiveness or dramatic import . On the contrary , it is the organization of all the elements - pure sensuous materials , representations , and con- notations - into a single and ...
... abstract relation of colors or sounds apart from their suggestiveness or dramatic import . On the contrary , it is the organization of all the elements - pure sensuous materials , representations , and con- notations - into a single and ...
Pagina 252
... abstract . But if a representative form has value , it is as form , not as representation . The repre- sentative element in a work of art may or may not be harmful ; always it is irrelevant . For , to appreciate a work of art we need ...
... abstract . But if a representative form has value , it is as form , not as representation . The repre- sentative element in a work of art may or may not be harmful ; always it is irrelevant . For , to appreciate a work of art we need ...
Pagina 276
... abstract play of lines and angles and surface - shapes appears incarnate in recognizable objects derived from the real world of my experience , that it seems to get sufficient emotional focus and bearing for me to appreciate clearly ...
... abstract play of lines and angles and surface - shapes appears incarnate in recognizable objects derived from the real world of my experience , that it seems to get sufficient emotional focus and bearing for me to appreciate clearly ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words