A Modern Book of Esthetics: An Anthology |
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Pagina 158
Since man's primary need is not knowledge but action , intellect has been slowly developed throughout the course of evolution to deal with things in this way . The concepts employed by the intellect are a kind of mental shorthand to ...
Since man's primary need is not knowledge but action , intellect has been slowly developed throughout the course of evolution to deal with things in this way . The concepts employed by the intellect are a kind of mental shorthand to ...
Pagina 172
And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dramatic unity are interesting in this connection ; they are first applied to the unity of " action " when ...
And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dramatic unity are interesting in this connection ; they are first applied to the unity of " action " when ...
Pagina 382
In equilibrium , there is no tendency to action , and any concert - goer must have realized the impropriety of the \ view that action is the proper outcome of esthetic appreciation . When impulses are " harmonized " on the other hand ...
In equilibrium , there is no tendency to action , and any concert - goer must have realized the impropriety of the \ view that action is the proper outcome of esthetic appreciation . When impulses are " harmonized " on the other hand ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole