A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 158
... action , intellect has been slowly de- veloped throughout the course of evolution to deal with things in this way . The concepts employed by the intel- lect are a kind of mental shorthand to economize effort and expedite action . To ...
... action , intellect has been slowly de- veloped throughout the course of evolution to deal with things in this way . The concepts employed by the intel- lect are a kind of mental shorthand to economize effort and expedite action . To ...
Pagina 172
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
Pagina 382
... action , and any concert - goer must have realized the impropriety of the \ view that action is the proper outcome of esthetic appre- ciation . When impulses are " harmonized " on the other hand they work together , and such disciplined ...
... action , and any concert - goer must have realized the impropriety of the \ view that action is the proper outcome of esthetic appre- ciation . When impulses are " harmonized " on the other hand they work together , and such disciplined ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words