A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 104
... activity of art is a most important one , as important as the activity of speech itself , and as generally diffused . . . We are accustomed to understand art to be only what we hear and see in theaters , concerts , and exhibitions ...
... activity of art is a most important one , as important as the activity of speech itself , and as generally diffused . . . We are accustomed to understand art to be only what we hear and see in theaters , concerts , and exhibitions ...
Pagina 295
... activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some ...
... activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some ...
Pagina 298
... activity in this imitation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I experience as derived entirely from the contemplation of the perceived movement . It is ...
... activity in this imitation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I experience as derived entirely from the contemplation of the perceived movement . It is ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |