A Modern Book of Esthetics: An Anthology |
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Pagina 104
And therefore the activity of art is a most important one , as important as the
activity of speech itself , and as generally diffused . . . . We are accustomed to
understand art to be only what we hear and see in theaters , concerts , and
exhibitions ...
And therefore the activity of art is a most important one , as important as the
activity of speech itself , and as generally diffused . . . . We are accustomed to
understand art to be only what we hear and see in theaters , concerts , and
exhibitions ...
Pagina 295
But this activity does not , in the full sense , take place in the arm , i . e . , it is not
tied up with the contemplation of the arm or the contemplated arm . Rather , it is
connected with my mood if I extend my arm from caprice , or with some purpose
in ...
But this activity does not , in the full sense , take place in the arm , i . e . , it is not
tied up with the contemplation of the arm or the contemplated arm . Rather , it is
connected with my mood if I extend my arm from caprice , or with some purpose
in ...
Pagina 298
My inner activity in this imitation is exclusively bound up in a two - fold sense with
the observed object . First - the activity which I feel , I experience as derived
entirely from the contemplation of the perceived movement . It is immediately and
...
My inner activity in this imitation is exclusively bound up in a two - fold sense with
the observed object . First - the activity which I feel , I experience as derived
entirely from the contemplation of the perceived movement . It is immediately and
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole