A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 33
... actual char- acter . By sad happenings they are moved to tears ; by joy- ous ones they are aroused to the greatest pleasure . But they do not stop very long at this stage . Once they know that the story is not of actual events , they ...
... actual char- acter . By sad happenings they are moved to tears ; by joy- ous ones they are aroused to the greatest pleasure . But they do not stop very long at this stage . Once they know that the story is not of actual events , they ...
Pagina 199
... actual vibrations of the sound , the bodily experience I am aware of in saying it , is alive with the history of England which passed into the words in the usage and formation of the language . Up to a certain point , language is poetry ...
... actual vibrations of the sound , the bodily experience I am aware of in saying it , is alive with the history of England which passed into the words in the usage and formation of the language . Up to a certain point , language is poetry ...
Pagina 299
... actual feeling has taken its place . And it is just because of this that I feel myself performing this movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative ...
... actual feeling has taken its place . And it is just because of this that I feel myself performing this movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words