A Modern Book of Esthetics: An Anthology |
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Pagina 33
For this reason the feelings which arise in them while they listen to the story have
in part an actual character . By sad happenings they are moved to tears ; by
joyous ones they are aroused to the greatest pleasure . But they do not stop very
...
For this reason the feelings which arise in them while they listen to the story have
in part an actual character . By sad happenings they are moved to tears ; by
joyous ones they are aroused to the greatest pleasure . But they do not stop very
...
Pagina 199
the actual vibrations of the sound , the bodily experience I am aware of in saying
it , is alive with the history of England which passed into the words in the usage
and formation of the language . Up to a certain point , language is poetry ready ...
the actual vibrations of the sound , the bodily experience I am aware of in saying
it , is alive with the history of England which passed into the words in the usage
and formation of the language . Up to a certain point , language is poetry ready ...
Pagina 275
... the right angles in which the lines and masses meet do not in themselves
represent anything , any more than a geometric theorem represents actual
objects ( however much actual objects may exemplify and embody geometric
theorems ) .
... the right angles in which the lines and masses meet do not in themselves
represent anything , any more than a geometric theorem represents actual
objects ( however much actual objects may exemplify and embody geometric
theorems ) .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole