A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 112
... appears with such convincing clearness as in the Dionysiac monuments of classical art . The frieze around the Bacchic ... appear that it is real distress which compels the dancers to seek in ever - increasing excitement deliverance from ...
... appears with such convincing clearness as in the Dionysiac monuments of classical art . The frieze around the Bacchic ... appear that it is real distress which compels the dancers to seek in ever - increasing excitement deliverance from ...
Pagina 192
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
Pagina 343
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words