A modern book of esthetics: an anthology |
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Pagina 43
8 It appears, then, that play, when it rises to conscious self- deception, produces
a strange and peculiar division of our consciousness. The child is wholly
absorbed in his play, and yet under all the ebb and flow of thought and feeling,
like still ...
8 It appears, then, that play, when it rises to conscious self- deception, produces
a strange and peculiar division of our consciousness. The child is wholly
absorbed in his play, and yet under all the ebb and flow of thought and feeling,
like still ...
Pagina 112
the various expedients to which the expressional impulse resorts in its endeavor
to enhance and relieve an emotional state, the force of this craving for expression
, on the other hand, nowhere appears with such convincing clearness as in the ...
the various expedients to which the expressional impulse resorts in its endeavor
to enhance and relieve an emotional state, the force of this craving for expression
, on the other hand, nowhere appears with such convincing clearness as in the ...
Pagina 117
But since pleasures are subjective and fleeting, and beauty appears to be stable
and objective, he must explain how pleasures can assume the guise of beauty.
His solution is to distinguish between individual pleasures, which are evanescent
, ...
But since pleasures are subjective and fleeting, and beauty appears to be stable
and objective, he must explain how pleasures can assume the guise of beauty.
His solution is to distinguish between individual pleasures, which are evanescent
, ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words