A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 258
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art impurely ; and , by the way , the appreciation of almost all great writers has been ...
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art impurely ; and , by the way , the appreciation of almost all great writers has been ...
Pagina 324
... appreciation . In short , Distance may be said to be variable both according to the distancing - power of the individual , and according to the character of the object . There are two ways of losing Distance : either to " underdistance ...
... appreciation . In short , Distance may be said to be variable both according to the distancing - power of the individual , and according to the character of the object . There are two ways of losing Distance : either to " underdistance ...
Pagina 461
... appreciation . Sense of moving tendencies supplies thrill , stimulation , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic ...
... appreciation . Sense of moving tendencies supplies thrill , stimulation , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole