A Modern Book of Esthetics: An Anthology |
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Pagina 258
I do not suggest for one moment that their appreciation of art is a thing to be
ashamed of ; the majority of the charming and intelligent people with whom I am
acquainted appreciate visual art impurely ; and , by the way , the appreciation of ...
I do not suggest for one moment that their appreciation of art is a thing to be
ashamed of ; the majority of the charming and intelligent people with whom I am
acquainted appreciate visual art impurely ; and , by the way , the appreciation of ...
Pagina 324
In their interplay they afford one of the most extensive explanations for varieties of
esthetic experience , since loss of Distance , whether due to the one or the other ,
means loss of esthetic appreciation . In short , Distance may be said to be ...
In their interplay they afford one of the most extensive explanations for varieties of
esthetic experience , since loss of Distance , whether due to the one or the other ,
means loss of esthetic appreciation . In short , Distance may be said to be ...
Pagina 461
Without a sense of moving tendencies which are operative in conjunction with a
state of fruition , there is appetitive gratification , but nothing that may be termed
appreciation . Sense of moving tendencies supplies thrill , stimulation , excitation
...
Without a sense of moving tendencies which are operative in conjunction with a
state of fruition , there is appetitive gratification , but nothing that may be termed
appreciation . Sense of moving tendencies supplies thrill , stimulation , excitation
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole