A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 258
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art impurely ; and , by the way , the appreciation of almost all great writers has been ...
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art impurely ; and , by the way , the appreciation of almost all great writers has been ...
Pagina 324
... appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under ...
... appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under ...
Pagina 461
... appreciation is of the classic type . This type fits conditions where production is professionalized among technical craftsmen , as among the Greeks ; it is adapted to a contemplative enjoyment of the achievements of past ages or remote ...
... appreciation is of the classic type . This type fits conditions where production is professionalized among technical craftsmen , as among the Greeks ; it is adapted to a contemplative enjoyment of the achievements of past ages or remote ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words