A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina xviii
... artist expresses positive values , or negative values only if they somehow heighten our sense of the positive . All discords in art , it is maintained , must be resolved into har- monies . An artist who remains steadfastly true to his ...
... artist expresses positive values , or negative values only if they somehow heighten our sense of the positive . All discords in art , it is maintained , must be resolved into har- monies . An artist who remains steadfastly true to his ...
Pagina 87
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
Pagina 373
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words