A Modern Book of Esthetics: An Anthology |
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Pagina 200
All this later argument of ours , starting from the importance of medium and
technique , has aimed at exhibiting in detail the double process of creation and
contemplation which is implied in the esthetic attitude , and the impossibility of ...
All this later argument of ours , starting from the importance of medium and
technique , has aimed at exhibiting in detail the double process of creation and
contemplation which is implied in the esthetic attitude , and the impossibility of ...
Pagina 313
EDWARD BULLOUGH ( 1880 ) , a distinguished British psychologist , maintains
that " psychical distance ” is the essential feature of the esthetic attitude . “
Psychical distance , " he explains , has two aspects : First , there is a negative ...
EDWARD BULLOUGH ( 1880 ) , a distinguished British psychologist , maintains
that " psychical distance ” is the essential feature of the esthetic attitude . “
Psychical distance , " he explains , has two aspects : First , there is a negative ...
Pagina 376
... poet addresses it , to read the drama and not to inquire what will happen after
the last act , is possible only if the scientific attitude with its desire for connection
is suppressed and the attitude of satisfaction in the isolated object is developed .
... poet addresses it , to read the drama and not to inquire what will happen after
the last act , is possible only if the scientific attitude with its desire for connection
is suppressed and the attitude of satisfaction in the isolated object is developed .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole