A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 200
... attitude , and the impos- sibility of separating one factor of it from another . And it is the same question as that stated in other words , how a feeling can be got into an object . This is the central problem of the esthetic attitude ...
... attitude , and the impos- sibility of separating one factor of it from another . And it is the same question as that stated in other words , how a feeling can be got into an object . This is the central problem of the esthetic attitude ...
Pagina 313
... attitudes of the subject . As the object be- comes more stylized , unrealistic , and isolated , the distance correspondingly increases . As the contemplator inde- pendently adopts a more impersonal attitude , the distance 1 Hence the ...
... attitudes of the subject . As the object be- comes more stylized , unrealistic , and isolated , the distance correspondingly increases . As the contemplator inde- pendently adopts a more impersonal attitude , the distance 1 Hence the ...
Pagina 376
... attitude with its desire for connection is suppressed and the attitude of satisfaction in the isolated object is developed . Art instruction in the school is the great social scheme which the community has at its dis- posal to train ...
... attitude with its desire for connection is suppressed and the attitude of satisfaction in the isolated object is developed . Art instruction in the school is the great social scheme which the community has at its dis- posal to train ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words