A Modern Book of Esthetics: An Anthology |
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Pagina 237
And even when , as may occur in painting , there is balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in ...
And even when , as may occur in painting , there is balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in ...
Pagina 238
the balance - as in Bruegel's Harvesters - between prominent objects in the right - hand part and little except a vista on the left . Similarly , there is a balance - as in the same picture - between the upper and lower halves of a ...
the balance - as in Bruegel's Harvesters - between prominent objects in the right - hand part and little except a vista on the left . Similarly , there is a balance - as in the same picture - between the upper and lower halves of a ...
Pagina 239
Hence when balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance so easily recognized , but balance as an element in the complex structure we call rhythm .
Hence when balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance so easily recognized , but balance as an element in the complex structure we call rhythm .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole