A Modern Book of Esthetics: An Anthology |
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Pagina 237
And even when , as may occur in painting , there is balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in ...
And even when , as may occur in painting , there is balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in ...
Pagina 238
HE the balance — as in Bruegel's Harvesters - between prominent objects in the right - hand part and little except a vista on the left . Similarly , there is a balance - as in the same picture - between the upper and lower halves of a ...
HE the balance — as in Bruegel's Harvesters - between prominent objects in the right - hand part and little except a vista on the left . Similarly , there is a balance - as in the same picture - between the upper and lower halves of a ...
Pagina 239
Hence when balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance so easily recognized , but balance as an element in the complex structure we call rhythm .
Hence when balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance so easily recognized , but balance as an element in the complex structure we call rhythm .
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Parole e frasi comuni
abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |