A Modern Book of Esthetics: An Anthology |
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Pagina 237
And even when , as may occur in painting , there is balance between elements of
unlike quality - balance , say , of brightness of color against distance or size - the
attention value of each must be the same , though opposed in direction .
And even when , as may occur in painting , there is balance between elements of
unlike quality - balance , say , of brightness of color against distance or size - the
attention value of each must be the same , though opposed in direction .
Pagina 238
the balance - as in Bruegel ' s Harvesters - between prominent objects in the right
- hand part and little except a vista on the left . Similarly , there is a balance - as in
the same picture - between the upper and lower halves of a painting , even ...
the balance - as in Bruegel ' s Harvesters - between prominent objects in the right
- hand part and little except a vista on the left . Similarly , there is a balance - as in
the same picture - between the upper and lower halves of a painting , even ...
Pagina 239
In the diaper pattern , for example , there is the recurrence of the rising and falling
lines , and their opposition and balance , two by two . Or a colonnade , as you
apprehend the columns in succession , is a rhythm of identical and balancing ...
In the diaper pattern , for example , there is the recurrence of the rising and falling
lines , and their opposition and balance , two by two . Or a colonnade , as you
apprehend the columns in succession , is a rhythm of identical and balancing ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole