A Modern Book of Esthetics: An Anthology |
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Pagina 117
CHAPTER IV INTRODUCTORY NOTE In contrast to Véron and Tolstoy , the writers to be considered in this chapter tend to regard the creation of beauty as the aim of the artist , and pleasure as the fundamental ingredient of beauty and art .
CHAPTER IV INTRODUCTORY NOTE In contrast to Véron and Tolstoy , the writers to be considered in this chapter tend to regard the creation of beauty as the aim of the artist , and pleasure as the fundamental ingredient of beauty and art .
Pagina 119
Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal beauty of the design ; and the expressive beauty of the meaning and connotations ultimately derived from past experience .
Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal beauty of the design ; and the expressive beauty of the meaning and connotations ultimately derived from past experience .
Pagina 208
JACQUES MARITAIN ART AND BEAUTY Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : § I Beauty and goodness ...
JACQUES MARITAIN ART AND BEAUTY Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : § I Beauty and goodness ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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