A Modern Book of Esthetics: An Anthology |
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Pagina 117
CHAPTER IV INTRODUCTORY NOTE In contrast to Véron and Tolstoy , the writers to be considered in this chapter tend to regard the creation of beauty as the aim of the artist , and pleasure as the fundamental ingredient of beauty and art .
CHAPTER IV INTRODUCTORY NOTE In contrast to Véron and Tolstoy , the writers to be considered in this chapter tend to regard the creation of beauty as the aim of the artist , and pleasure as the fundamental ingredient of beauty and art .
Pagina 119
Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal beauty of the design ; and the expressive beauty of the meaning and connotations ultimately derived from past experience .
Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal beauty of the design ; and the expressive beauty of the meaning and connotations ultimately derived from past experience .
Pagina 208
JACQUES MARITAIN ART AND BEAUTY Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The “ Summa Theologica " ) : TE SI Beauty and goodness ...
JACQUES MARITAIN ART AND BEAUTY Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The “ Summa Theologica " ) : TE SI Beauty and goodness ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole