A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 119
... beauty : the sensuous beauty of the physical stuff ; the formal beauty of the de- sign ; and the expressive beauty of the meaning and conno- tations ultimately derived from past experience . To the last division belongs the effect of ...
... beauty : the sensuous beauty of the physical stuff ; the formal beauty of the de- sign ; and the expressive beauty of the meaning and conno- tations ultimately derived from past experience . To the last division belongs the effect of ...
Pagina 208
... beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what is after their own kind ...
... beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what is after their own kind ...
Pagina 210
... Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends ...
... Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words