A Modern Book of Esthetics: An Anthology |
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Pagina 117
CHAPTER IV INTRODUCTORY NOTE In contrast to Véron and Tolstoy , the
writers to be considered in this chapter tend to regard the creation of beauty as
the aim of the artist , and pleasure as the fundamental ingredient of beauty and
art .
CHAPTER IV INTRODUCTORY NOTE In contrast to Véron and Tolstoy , the
writers to be considered in this chapter tend to regard the creation of beauty as
the aim of the artist , and pleasure as the fundamental ingredient of beauty and
art .
Pagina 119
Santayana recognizes three kinds of beauty : the sensuous beauty of the
physical stuff ; the formal beauty of the design ; and the expressive beauty of the
meaning and connotations ultimately derived from past experience . To the last
division ...
Santayana recognizes three kinds of beauty : the sensuous beauty of the
physical stuff ; the formal beauty of the design ; and the expressive beauty of the
meaning and connotations ultimately derived from past experience . To the last
division ...
Pagina 208
JACQUES MARITAIN ART AND BEAUTY Editor ' s Note : To assist the reader in
understanding Maritain ' s discussion , I am prefacing it by the following
selections from St . Thomas Aquinas ( The " Summa Theologica ” ) : § 1 Beauty
and ...
JACQUES MARITAIN ART AND BEAUTY Editor ' s Note : To assist the reader in
understanding Maritain ' s discussion , I am prefacing it by the following
selections from St . Thomas Aquinas ( The " Summa Theologica ” ) : § 1 Beauty
and ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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