A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 355
... become indignant or shout . . .. Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elastically almost to the rhythm of our respiration . On the other hand , when the ...
... become indignant or shout . . .. Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elastically almost to the rhythm of our respiration . On the other hand , when the ...
Pagina 383
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic experience . We become impersonal or disinterested . " Yet once more , O ye Laurels , and once more Ye ...
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic experience . We become impersonal or disinterested . " Yet once more , O ye Laurels , and once more Ye ...
Pagina 384
... becomes differentiated or isolated from the individualities of things around us . We become less " mixed into " other things . As we become more ourselves they become more themselves , because we are less dependent upon the particular ...
... becomes differentiated or isolated from the individualities of things around us . We become less " mixed into " other things . As we become more ourselves they become more themselves , because we are less dependent upon the particular ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole