A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 183
... bring us face to face with reality itself . It is from a misunderstanding on this point that the dispute between ... brings to light , is a deep- seated reality that is veiled from us , often in our own in- terests , by the necessities ...
... bring us face to face with reality itself . It is from a misunderstanding on this point that the dispute between ... brings to light , is a deep- seated reality that is veiled from us , often in our own in- terests , by the necessities ...
Pagina 253
... bring with us nothing but a sense of form and color and a knowledge of three - dimensional space . That bit of knowledge , I admit , is essential to the appreciation of many great works , since many of the most moving forms ever created ...
... bring with us nothing but a sense of form and color and a knowledge of three - dimensional space . That bit of knowledge , I admit , is essential to the appreciation of many great works , since many of the most moving forms ever created ...
Pagina 258
... bring forth good fruit . But only to the perfect lover does she give a new strange gift— a gift beyond all price . Imperfect lovers bring to art and take away the ideas and emotions of their own age and civilization . In twelfth ...
... bring forth good fruit . But only to the perfect lover does she give a new strange gift— a gift beyond all price . Imperfect lovers bring to art and take away the ideas and emotions of their own age and civilization . In twelfth ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words