A Modern Book of Esthetics: An Anthology |
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Pagina 147
... it has a substantial existence apart from our imagination.2 This Real is evidently a specious or 2 Such was not the sense in which I used the word " objectified " when , thirty years ago , I called beauty " objectified pleasure .
... it has a substantial existence apart from our imagination.2 This Real is evidently a specious or 2 Such was not the sense in which I used the word " objectified " when , thirty years ago , I called beauty " objectified pleasure .
Pagina 461
Whenever so - called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unperceived , ignored or denied , the situation consists of affairs in which the problem has not been ...
Whenever so - called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unperceived , ignored or denied , the situation consists of affairs in which the problem has not been ...
Pagina 464
It makes little difference what the source and the character be called . By strict logic it makes literally no difference . For if the quality of the esthetic experience is by conception unique , then the words employed to describe it ...
It makes little difference what the source and the character be called . By strict logic it makes literally no difference . For if the quality of the esthetic experience is by conception unique , then the words employed to describe it ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole