A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 147
... I called beauty “ objectified pleasure . " My whole little book The Sense of
Beauty was written from a subjective point of view , and nothing was further from
me than a wish to hypostatize either beauty or pleasure . Even now , when I
speak of ...
... I called beauty “ objectified pleasure . " My whole little book The Sense of
Beauty was written from a subjective point of view , and nothing was further from
me than a wish to hypostatize either beauty or pleasure . Even now , when I
speak of ...
Pagina 461
Whenever so - called means remain external and servile , and so - called ends
are enjoyed objects whose further causative status is unperceived , ignored or
denied , the situation consists of affairs in which the problem has not been solved
...
Whenever so - called means remain external and servile , and so - called ends
are enjoyed objects whose further causative status is unperceived , ignored or
denied , the situation consists of affairs in which the problem has not been solved
...
Pagina 464
It has an occult source and an esoteric character . It makes little difference what
the source and the character be called . By strict logic it makes literally no
difference . For if the quality of the esthetic experience is by conception unique ,
then the ...
It has an occult source and an esoteric character . It makes little difference what
the source and the character be called . By strict logic it makes literally no
difference . For if the quality of the esthetic experience is by conception unique ,
then the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole