A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 249
... called this " beauty . " Of course , to those who define beauty as " combinations of lines and colors that provoke esthetic emotion , " I willingly concede the right of substituting their word for mine . But most of us , however strict ...
... called this " beauty . " Of course , to those who define beauty as " combinations of lines and colors that provoke esthetic emotion , " I willingly concede the right of substituting their word for mine . But most of us , however strict ...
Pagina 461
... called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unper- ceived , ignored or denied , the situation consists of affairs in which the problem has not been solved ...
... called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unper- ceived , ignored or denied , the situation consists of affairs in which the problem has not been solved ...
Pagina 464
... called emotion in daily life , the statement is demonstrably false . For emotion in its ordi- nary sense is something called out by objects , physical and personal ; it is response to an objective situation . It is not 1 Ducasse , in ...
... called emotion in daily life , the statement is demonstrably false . For emotion in its ordi- nary sense is something called out by objects , physical and personal ; it is response to an objective situation . It is not 1 Ducasse , in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words