A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 49
... cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . ' I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A ...
... cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . ' I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A ...
Pagina 86
... caused as much by the good or evil fortunes of others as by his own ; as , besides , he pos- sesses in a very high degree the faculty of combining series of fictitious facts , and of representing them in ... cause , 86 EMOTIONALIST THEORIES.
... caused as much by the good or evil fortunes of others as by his own ; as , besides , he pos- sesses in a very high degree the faculty of combining series of fictitious facts , and of representing them in ... cause , 86 EMOTIONALIST THEORIES.
Pagina 137
... cause . But this percept , once formed , is clearly different from those particular experiences out of which it grew . It is permanent , they are variable . They are but partial views and glimpses of it . The constituted notion ...
... cause . But this percept , once formed , is clearly different from those particular experiences out of which it grew . It is permanent , they are variable . They are but partial views and glimpses of it . The constituted notion ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words