A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 49
... cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . ' I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A ...
... cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . ' I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A ...
Pagina 86
... caused as much by the good or evil fortunes of others as by his own ; as , besides , he possesses in a very high degree the faculty of combining series of fictitious facts , and of representing them in ... cause , 86 EMOTIONALIST THEORIES.
... caused as much by the good or evil fortunes of others as by his own ; as , besides , he possesses in a very high degree the faculty of combining series of fictitious facts , and of representing them in ... cause , 86 EMOTIONALIST THEORIES.
Pagina 437
... cause of Art has something else to appeal to ; no less than the hope of the people for the happy life which has not yet been granted to them . There is our hope : the cause of Art is the cause of the people . Think of a piece of history ...
... cause of Art has something else to appeal to ; no less than the hope of the people for the happy life which has not yet been granted to them . There is our hope : the cause of Art is the cause of the people . Think of a piece of history ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole