A modern book of esthetics: an anthology |
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Pagina 49
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make-believe. This is now the place
for such an inquiry." I have throughout this whole treatise spoken not of the idea
but ...
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make-believe. This is now the place
for such an inquiry." I have throughout this whole treatise spoken not of the idea
but ...
Pagina 137
... are also associated on account of their similarity; hence a double tendency to
merge and unify into a single percept, to which a name is attached, the group of
those memories and reactions which in fact had one external thing for their cause
.
... are also associated on account of their similarity; hence a double tendency to
merge and unify into a single percept, to which a name is attached, the group of
those memories and reactions which in fact had one external thing for their cause
.
Pagina 437
If the bargain had been really fair, complete all round, then were there nought
else to do but to bury Art, and forget the beauty of life: but now the cause of Art
has something else to appeal to; no less than the hope of the people for the
happy life ...
If the bargain had been really fair, complete all round, then were there nought
else to do but to bury Art, and forget the beauty of life: but now the cause of Art
has something else to appeal to; no less than the hope of the people for the
happy life ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words