A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
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Pagina 187
even when a character comedy has a proper noun as its title , this proper noun is
speedily swept away , by the very weight of ... Above all , a tragic poet will never
think of grouping around the chief character in his play secondary characters to ...
even when a character comedy has a proper noun as its title , this proper noun is
speedily swept away , by the very weight of ... Above all , a tragic poet will never
think of grouping around the chief character in his play secondary characters to ...
Pagina 242
Many stories are of this character ; there is an unfolding , a working out of
something , with no obvious high points . Here and there the meaning rises , but
there is no place where it becomes so central that we feel that the whole story
depends ...
Many stories are of this character ; there is an unfolding , a working out of
something , with no obvious high points . Here and there the meaning rises , but
there is no place where it becomes so central that we feel that the whole story
depends ...
Pagina 320
On the contrary , it describes a personal relation , often highly emotionally
colored , but of a peculiar character . ... One of the bestknown examples is to be
found in our attitude towards the events and characters of the drama : they
appeal to us ...
On the contrary , it describes a personal relation , often highly emotionally
colored , but of a peculiar character . ... One of the bestknown examples is to be
found in our attitude towards the events and characters of the drama : they
appeal to us ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole