A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 187
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 320
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
Pagina 464
... character . It makes little difference what the source and the character be called . By strict logic it makes literally no difference . For if the quality of the esthetic experience is by concep- tion unique , then the words employed to ...
... character . It makes little difference what the source and the character be called . By strict logic it makes literally no difference . For if the quality of the esthetic experience is by concep- tion unique , then the words employed to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words