A Modern Book of Esthetics: An Anthology |
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Pagina 217
We are not trying to decide whether classicism or romanticism is right , not whether these words have been correctly defined , but we are trying to abolish an antithesis which every one feels to be arbitrary .
We are not trying to decide whether classicism or romanticism is right , not whether these words have been correctly defined , but we are trying to abolish an antithesis which every one feels to be arbitrary .
Pagina 220
The great weakness of the neo - classicists is that they set out to feel only what they have already comprehended . That is not the procedure of true classicism , which is to throw a new world of feeling open to the intelligence .
The great weakness of the neo - classicists is that they set out to feel only what they have already comprehended . That is not the procedure of true classicism , which is to throw a new world of feeling open to the intelligence .
Pagina 221
is a classicist because the measure of his feelings and his humors is not given by themselves , but by a rational ... Classicism strives to be complete , even to its own detriment , and it does not feel itself complete unless it appeals ...
is a classicist because the measure of his feelings and his humors is not given by themselves , but by a rational ... Classicism strives to be complete , even to its own detriment , and it does not feel itself complete unless it appeals ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole