A Modern Book of Esthetics: An Anthology |
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Pagina 219
In these three extraordinary men we see classicism in its unforeseen and uncoördinated first promptings , we see judgment irresistibly invading them , an invasion all the more significant since this judgment has freed itself from ...
In these three extraordinary men we see classicism in its unforeseen and uncoördinated first promptings , we see judgment irresistibly invading them , an invasion all the more significant since this judgment has freed itself from ...
Pagina 220
The great weakness of the neo - classicists is that they set out to feel only what they have already comprehended . That is not the procedure of true classicism , which is to throw a new world of feeling open to the intelligence .
The great weakness of the neo - classicists is that they set out to feel only what they have already comprehended . That is not the procedure of true classicism , which is to throw a new world of feeling open to the intelligence .
Pagina 221
1 } DO is a classicist because the measure of his feelings and his humors is not given by themselves , but by a rational ... Classicism strives to be complete , even to its own detriment , and it does not feel itself complete unless it ...
1 } DO is a classicist because the measure of his feelings and his humors is not given by themselves , but by a rational ... Classicism strives to be complete , even to its own detriment , and it does not feel itself complete unless it ...
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Parole e frasi comuni
abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |