A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 246
... common and peculiar to all the objects that provoke it , we shall have solved what I take to be the central problem of esthetics . We shall have discovered the essential quality in a work of art , the quality that dis- tinguishes works ...
... common and peculiar to all the objects that provoke it , we shall have solved what I take to be the central problem of esthetics . We shall have discovered the essential quality in a work of art , the quality that dis- tinguishes works ...
Pagina 248
... common and peculiar to all the works of visual art that move me ; and I will ask those whose esthetic experience does not tally with mine to see whether this quality is not also , in their judgment , common to all works that move them ...
... common and peculiar to all the works of visual art that move me ; and I will ask those whose esthetic experience does not tally with mine to see whether this quality is not also , in their judgment , common to all works that move them ...
Pagina 351
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words