A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 206
... concrete presentment , a vision , appealing simultaneously to the senses and the intelligence . The more clearly the form emerges in its sensuous splendor , the greater and deeper will be the impression upon the human soul . The goal of ...
... concrete presentment , a vision , appealing simultaneously to the senses and the intelligence . The more clearly the form emerges in its sensuous splendor , the greater and deeper will be the impression upon the human soul . The goal of ...
Pagina 325
... concrete hostility or mere amusement . This difference in the Distance - limit between artists and the public has been the source of much misunderstanding and injustice . Many an artist has seen his work condemned , and himself ...
... concrete hostility or mere amusement . This difference in the Distance - limit between artists and the public has been the source of much misunderstanding and injustice . Many an artist has seen his work condemned , and himself ...
Pagina 469
... concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name ...
... concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words