A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 288
It is the beautiful thing contemplated , and is therefore to be distinguished from the act of contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein .
It is the beautiful thing contemplated , and is therefore to be distinguished from the act of contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein .
Pagina 295
... with which I feel myself and my subjective states inextricably bound , whenever I stop to contemplate the object . ... take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm .
... with which I feel myself and my subjective states inextricably bound , whenever I stop to contemplate the object . ... take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm .
Pagina 450
If Greek philosophy was correct in thinking of knowledge as contemplation rather than as a productive art , and if modern philosophy accepts this conclusion , then the only logical course is relative disparagement of all forms of ...
If Greek philosophy was correct in thinking of knowledge as contemplation rather than as a productive art , and if modern philosophy accepts this conclusion , then the only logical course is relative disparagement of all forms of ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole